rumour — distant land in Bludenz

Berlin-based quartet DieOrdnungDerDinge are going to give the first per­form­ance of ru­mour — dis­tant land at tonight’s opening event of this year’s Bludenzer Tage zeit­gemäßer Musik. We’ve been hard at work since late on Tuesday and the whole evening should be mem­or­able. (It will also fea­ture vocal per­form­ances from the spec­tac­ular Ute Wassermann.) Thanks go to everyone who has made this happen!

Die Ordnung der Dinge rehearsing in Bludenz

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ensemble mosaik at Harvard

ensemble mosaik poster, 4 October 2014On Saturday, 4 October, Berlin-based en­semble mo­saik are per­forming at Harvard University. The cul­min­a­tion of a weeklong res­id­ency, they are presenting new pieces by Trevor Bača and Josiah Wolf Oberholtzer as well as per­form­ances of some of Sivan Cohen-Elias and Stefan Prins’s most re­cent music. My latest piece, Tomorrow I will build a house here, if I can hold still, a duo for flute and cello, is also on the programme.

In my case, I can’t thank Bettina Junge and Mathis Mayr enough for their hard work and thoughtful re­hearsal. It has been a real pleasure.

Listings: Facebook | Ensemble | Venue | HGNM

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Darmstadt 2014

Summer is drawing to a close and I’m flying back to the USA. Before it ends, here we are in Darmstadt, work­shop­ping ideas for a new work, ru­mour — dis­tant land, with Gwen Rouger, Franco Venturini and Simon Steen-Andersen. Experiments with the mu­si­cians of soundini­ti­ative will in­form the use of cas­sette players in my work being premiered by DieOrdnungDerDinge in November at the Bludenzer Tage zeit­gemäßer Musik.

Workshop with soundinitiative and Simon Steen-Andersen (Photo © soundinitiative/Joshua Hyde)

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First performance of ‘Tomorrow I will build a house here…’ in Paris

On Thursday, 26 June, flautist Paolo Vignaroli and cel­list Karolina Öhman are giving the first per­form­ance of my Tomorrow I will build a house here, if I can hold still in Paris, France. Come along to Studio Le Regard du Cygne (Google Maps) at 8pm to hear a con­cert of music for flute, cello and elec­tronics that will also in­clude a new work by Santiago Díez-Fischer.

Listings: Facebook | Venue

Cy Twombly, “Untitled”, 1969.

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ELISION in residence at Harvard

HGNM ELISION PosterThis week, ELISION Ensemble will be in res­id­ence at Harvard University, cul­min­ating on Saturday 17 May in a con­cert of new music by graduate com­posers at Harvard that will also in­clude the US première of Richard Barrett’s Lens, for flu­gel­horn and elec­tric lap-steel guitar.

Ensembles that un­der­take their work and per­form with the in­teg­rity and in­tensity of ELISION are rare, so it will be an eye-opening ex­per­i­ence having them here. My short ex­per­i­ment for them is for elec­tric lap-steel guitar and a strange quintet of oboe, bass cla­rinet, con­tra­bass cla­rinet, trumpet and trom­bone. Come along on Saturday to hear more!

Listings: Facebook | Ensemble | Venue

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  • Microbiography

    Chris Swithinbank is a British-Dutch com­poser who works with both acoustic in­stru­ments and elec­tronic sounds. He is cur­rently a stu­dent at Harvard University with Chaya Czernowin.
    Full Biography »