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Cursus 1 at IRCAM

Ircam - Centre Pompidou (logo)

As of today, I am studying on ‘Cursus 1’ at IRCAM in Paris. Over the next seven months, I will be following the curriculum covering all aspects of composition involving computers, culminating next spring in the creation of a new work for solo instrument and electronics. I am grateful for the support of an Entente Cordiale scholarship from the French state in continuing my studies.

La leggerezza delle città @ Ars Electronica Festival

Soundscapes Sonorous-Horreum flyer

You will be able to hear my tape piece La leggerezza delle città in an exhibition of electroacoustic and soundscape compositions at the Sonorous-Horreum listening room at the KAPU (map) in Linz, Austria, 2–5 September as part of this year’s Ars Electronica Festival. The organisers describe the exhibition as:

… an exhibition of sound works surrounded by concerts. International sound artists meet local compositions and the audience in a multichannel listening room — the “Sonorous-Horreum”. Sounds and noises that make us doubt in the darkness as at the same time we compose the landscape only by listening.

Many thanks go to Clemens Pichler and Enrique Tomás for organising this.

Hear: Small Atlas

Two weeks ago, Mario Caroli, Pierre-Stéphane Meugé, Donatienne-Michel Dansac and Vincent Leterme gave the premiere of my new piece for flute, soprano saxophone, voice and piano, Small Atlas, as part of the closing concerts for the Acanthes 2011 composition workshops. Their rendition was crisp, extremely clear and — unsurprisingly — far more integrated than ‘clean’ recordings made earlier in the week. Here it is for you to listen to at your leisure. I recommend the free download as the streaming audio seems to do something funny to saxophone multiphonics.

L-R: Pierre-Stéphane Meugé, Vincent Leterme, Mario Caroli & Donatienne Michel-Dansac

Journal Article: ‘Into the Lion’s Den’

Tempo, Vol. 65, No. 257 (July 2011)

My article, ‘Into the Lion’s Den: Helmut Lachenmann at 75’, published in the July issue of Tempo, is now available from Cambridge Journals Online. The piece takes a look at Lachenmann’s reception in the Anglophone music world as well as touching on his musical and aesthetic development. It is unfortunately necessarily superficial in some respects, but hopefully will offer a slightly more current perspective on the state of research into his music and writings than was previously available. Access to Cambridge Journals Online is restricted to those with subscriptions or institutional memberships, so if anyone is interested and can’t access the article this way, please get in touch.

Previously: A Structure of Physicalities: Helmut Lachenmann’s temAThe Inward Beauty of Helmut LachenmannHelmut Lachenmann in Stuttgart, 13.02.2009

Small Atlas @ Centre Acanthes 2011

This evening, Small Atlas will be premiered at the Arsenal in Metz, France, by Mario Caroli, Pierre-Stéphane Meugé, Donatienne Michel-Dansac and Vincent Leterme. This fantastic quartet of musicians (pictured below) has been excellent to work with so far and I look forward to hearing the piece take shape in performance.

For those not in Metz, here is a flavour of what’s in store from the recording made during our workshop-rehearsal yesterday:

L-R: Donatienne Michel-Dansac, Vincent Leterme, Pierre-Stéphane Meugé & Mario Caroli

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